Renowned soloist Goran Krivokapic shares his knowledge with the young French guitarist Cyprien N'Tsai in this master class featuring a Rondo brillante ?by Spanish composer Dionisio Aguado y Garcia , whose music calls to mind Beethoven while exploring the?enormous technical possibilities of the guitar as a classical solo instrument.
DakApp is thrilled to present a masterclass by the superb swiss virtuoso Sebastian Jacot exploring Carl Philipp Emanuel Bach's Flute Concerto in D Minor alongside the talented french flutist Chloe Dufossez.
Cellist and conductor Enrico Dindo is a longtime connoisseur of the Bach Cello Suites and in this master class recorded at the Museo del Violino in Cremona in 2016, the master cellist shares his vision of the Suite No. 1 in G , guiding his student Giacomo Cardelli with insight and patience through the interpretation of this beloved work, one of the best known pieces ever written for the instrument.
Mischa Maisky has devoted his whole life to cello. He now shares his insights into J.S. Bach's Suite No.2 in D Minor in a class that will delight all users eager to learn from such an inspiring artist.
Jean-Guihen Queyras, one of today's most influential interpreters of Bach's solo cello repertoire, gives a master class on the Suite No. 3 in C Major to student Jee-Hye Bae. Probably the most popular of Bach's works for solo cello, the C Major suite is beloved for its nobility, ebullience, and transparent contrapuntal invention. Six dance movements follow an improvisatory prelude: Allemande, Courante, Sarabande, Bourr?e 1, Bourree 2, and Gigue.
DakApp is proud to present this extraordinary masterclass on the monumental Partita No. 2 in C Minor, BWV 826 for piano by Johann Sebastian Bach , with the legendary Hungarian-British soloist Sir Andras Schiff and the young talented pianist Martin James Bartlett, exclusively recorded by DakApp at the Verbier Festival Academy 2018.
DakApp is pleased to present this new masterclass on the fantastic Concerto for Violin and Orchestra No.1 by Bela Bartok . This time, the marvelous Latvian soloist and chamber musician Eva Bindere dissects this beautiful piece alongside the talented young violinist Magdalena Geka.
Piano masterclass by international soloist and pedagogue Pavel Gililov on Ludwig van Beethoven's Appassionata has been released.
Beethoven's No. 23 Op.57 is regarded not only as one of his finest and most tempestuous piano sonatas, if not as the most technically challenging one.
DakApp is proud to present this fantastic masterclass on the Sonata for Piano in F Minor Op. 57, No. 23 by Ludwig van Beethoven with the legendary Hungarian-British soloist Sir Andras Schiff and the talented young pianist Giuseppe Guarrera, exclusively recorded by DakApp at the Verbier Festival Academy 2018.
DakApp is proud to present this fantastic masterclass on the Sonata for Piano in F Major Op. 10, No. 2 by Ludwig Van Beethoven with the phenomenal Hungarian British soloist Sir Andras Schiff and the talented young pianist Alexandra Stychkina, exclusively recorded by DakApp at the Verbier Festival Academy 2018.
DakApp is proud to present this extraordinary chamber music masterclass with the legendary Hungarian-British soloist Sir Andras Schiff, exclusively recorded by DakApp at the Verbier Festival Academy 2018. Alongside the talented young musicians Pauline Chenais, Magdalena Geka and Angele Legasa from the Trio Sora, Maestro Schiff shares his outstanding vision on the Trio in E-Flat Major for Piano, Violin and Cello Op. 70 No. 2 by Ludwig van Beethoven .
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
Brahms's Sonata for Cello and Piano No. 2 in F Major, Op. 99 is a great example of soloist repertoire of the instrument which the Frenchman Francis Gouton breaks down in great detail for site users.
Gramophone declared him "a prince among viola players"... Ukrainian violist Maxim Rysanov works with student Timothy Ridout on the first three movements of Brahms's Clarinet (or Viola) Sonata No. 1, Op.120 . Originally composed for the clarinet in the 1890s, Brahms himself arranged and supervised publications of the work for viola. The profoundly beautiful sonata quickly became one of the most popular of the viola's solo repertoire.
My Twentieth Century is a descendant of Arnold Schoenberg's Pierrot Lunaire - without the chanteuse and in a more vernacular musical and poetic idiom. According to our plan, I have integrated Tom's text within the musical architecture of the composition by having the performers occasionally leave their accustomed roles as musicians and speak the lines of the poem to us, and to each other, as if in a heightened conversation. Tom completed the poem My Twentieth Century' shortly before he died suddenly in July of 2001. My Twentieth Century is dedicated to his memory.
https://www.martinbresnick.com/programnotes/mytwentieth.htm
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
4 Young Artists from Juilliard, Royal College, Paris Conservatory and Beijing Conservatory are invited to London to participate in an inspired masterclass given by International Solo Violinist Yi-Jia Susanne Hou - in collaboration with the Royal Philharmonic Orchestra.
Trombonist and founding member of the Mahler Chamber Orchestra Mark Hampson works with student Alejandro Garcia in an illuminating masterclass on Ferdinand David's Trombone Concertino in E-flat Major, Op.4 . Dedicated to trombonist and friend of the composer Karl Traugott Queisser , the work received its extremely successful premiere in 1837 with the dedicatee as soloist, the composer as concertmaster, and their friend Mendelssohn as conductor of Leipzig's Gewandhaus orchestra.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
The wonderful French soloist Cello Concerto Op. 104 in B minor by Antonin Dvorak , an essential work in the solo literature of the instrument.
It was March 1894 when Antonin Dvorak attended a concert in New York, in which his New World Symphony was programmed alongside the Cello Concerto by Victor Herbertt, an Irish colleague from the Conservatory who was also a very popular cello player in the USA. Impressed by his playing and inspired by the instrument's role in the music, Dvorak was then determined to create his own piece for Cello, a task he started once he was back from his summer retreat in Bohemia.
Although this was Antonin Dvorak's last composition written in the United States, the Concerto Op.104 is fully inspired by the composer's native slavic tradition, hence the emotional and nostalgic nationalistic character of the work. Completed on February 1895, the third movement contains a final coda, quoting the song Leave Me Alone in the memory of his sister-in-law Josefina Kaunitzova, the composer's love from his young days.
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, we brought you closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli, Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, we brought you closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli, Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
Presented for the first time in 2010, with the artistic direction of Diemut Poppen and under the initiative of Goethe Institute, Festival Cantabile occurs yearly, during the month of September in the city of Lisbon, and is one of the most important festivals of chamber music in the country.
Festival Cantabile, The art of Chamber Music , offers a variety of classical and modern repertoires to the Portuguese people, in particular habitants of the Lisbon region, connecting periods of time and crossing pieces of classical masters with contemporary composers such as Rihm, Ligeti, Kurtag, Kancheli and the Portuguese Antonio Pinho Vargas and Luis Tinoco .
https://en.cantabilefest.pt/festival-cantabile
The master violist Lawrence Power works with student Lea Hennino in a masterclass at the Italian Institute of Paris on one of the most significant pieces of the viola repertoire: Paul Hindemith's Viola Sonata No. 4, Op. 25 . Composed in 1922, the tightly-constructed sonata puts viola and piano in an equal dialogue, conversing in Hindemith's captivating, rhythmically-driven musical language.
Prizewinner at the International Tchaikovsky competition in Moscow and the Internationaler Musikwettbewerb der ARD in Munich, internationally acclaimed soloist Alexander Chaushian , is one of the foremost cellists of his generation, regularly performing at venues such as the Wigmore Hall, Wiener Konzerthaus, Suntory Hall and the Carnegie Hall.
A graduate from the The Yehudi Menuhin School, the Guildhall School of Music and Drama and the Hochschule fur Musik Hanns Eisler Berlin, Mr. Chaushian has appeared as a soloist with orchestras such the Royal Philharmonic Orchestra, Philharmonia Orchestra, the Academy of St Martin in the Fields and the OSR - Orchestre de la Suisse Romande.
His chamber music partnerships have included concerts with Lord Yehudi Menuhin, Yuja Wang, Julia Fischer, Levon Chilingirian, Yuri Bashmet, Diemut Poppen, Francois-frederic Guy, Emmanuel Pahud and the pianist Yevgeny Sudbin, with whom he has made several critically acclaimed recordings for BIS Records. He is the cellist of the Tchaikovsky Trio alongside Pavel Vernikov and Konstantin Bogino.
Alexander Chaushian is a Cello Professor at the Royal College of Music and the artistic director at the Orpheus and Bacchus Festival in Bordeaux, The Pharos Arts Foundation Festival in Cyprus and the Yerevan...
Professor Zemtsov recollects the memories of his beginnings, the maternal influence and his family heritage in his love for music as well as how he believes in the interaction between the strengths of the Russian music tradition and the Western factual approach as complementary and beneficial in today's musical education.
Sir Andras Schiff , the legendary Hungarian-British pianist and conductor, is one of the most renowned interpreters on today's scene. Born in Budapest, he began piano lessons at the age of five, studying at the Ferenc Liszt Academy with Gyorgy Kurtag and Ferenc Rados and later in London with the period specialist George Malcolm.
Mr. Schiff has received numerous awards and honours, including the Grammy Award, a Gramophone Award, The Royal Philharmonic Society's Gold Medal, the Mozarteum's Foundation Golden Medal and the Royal Academy of Music Bach Prize, being knighted by the Queen Elizabeth of England for his services to music in 2014.
The legendary Italian singer Barbara Frittoli , one of the today's greatest sopranos in the world, regularly appears at the Wiener Staatsoper, the Covent Garden London, the Salzburger Festspiele (Salzburg Festival), Teatro alla Scala, Opera national de Paris and the The Metropolitan Opera in New York. She has performed with some of the world's leading orchestras, such as, the Berliner Philharmoniker, the Wiener Philharmoniker, the Chicago Symphony Orchestra, the London Symphony Orchestra, the Royal Concertgebouw Orchestra and the Boston Symphony Orchestra under the baton of Riccardo Muti, Claudio Abbado, Riccardo Chailly, Zubin Mehta, Antonio Pappano, Colin Davies, Lorin Maazel, Bernard Haitink, Valery Gergiev and Gianandrea Noseda.
In this series of masterclasses, exclusively recorded by DakApp, Ms. Frittoli works on excerpts from Verdi's Rigoletto alongside the talented singers from the Verbier Festival Academy 2018!
Mr. Pommier began playing piano at the age of four and gave his first public performance at the age of seven, being awarded as a teenager at the International Tchaikovsky competition, the Young Musicians Competition in Berlin and the "Prix de la Guilde des Artistes Solistes Francais's . Mr. Pommier is regularly invited to perform at the most prestigious festivals under the baton of eminent conductors such as Herbert von Karajan, Bernard Haitink, Pierre Boulez, Riccardo Muti, Kurt Masur, Kurt Sanderling, Leonard Slatkin, Edo de Waart, Zubin Mehta and Daniel Barenboim, who conducted Mr. Pommier in the performances of the complete Beethoven's Concertos with the Orchestre de Paris. His chamber music partners include master musicians such as Isaac Stern, Itzhak Perlman, Pinchas Zukerman: Viola, Leonard Rose, Alexander Schneider, Jean-Pierre Louis Rampal, Paul Tortelier, Maurice Bourgue, the Guarneri String Quartet and the Vermeer Quartet.
Maestro Jerome Pernoo talks about his beginnings, his musical thoughts and how the Stanislavsky's Method for Acting has proved to be the most effective and influential tool for his cello career, his daily musical training and his teaching.
Distinguished alumnus of the Sibelius Academy and co-founder of the contemporary music championing Avanti! Chamber Orchestra with Esa-Pekka Salonen, Jukka-Pekka Saraste has served as music director of the Oslo Philharmonic, as well as chief conductor with the Toronto Symphony Orchestra, Finnish Radio Symphony Orchestra, Scottish Chamber Orchestra, and other prestigious ensembles.
Internationally recognized as one of the greatest violinists of her generation, Maria-Elisabeth Lott made her EMI Warner Classics and Erato debut recording at the age of 11, playing Mozart's own violin with the Mozarteum Orchester Salzburg as the winner of the Mozarteum Salzburg Competition 1998.
Recently appointed Professor of Violin at the Hochschule fur Musik Detmold, Maria-Elisabeth Lott is also an avid chamber music player, regularly performing with musicians such as Emanuel Borok, Daniel Muller-Schott Official Site, Sontraud Speidel, Julien Quentinand Bobby McFerrin. Maria-Elisabeth Lott has performed live for the ARD, ZDF, Deutschland Radio, 3sat, SWR2, BBC Radio 3 and Radio Swiss Classic and for broadcast stations in the USA and Canada.
Among her numerous accolades, she has been awarded with the Karlsruher Kulturstipendium 2014 and the Bruno-Frey-Prize 2013 and is also the recipient of the first Lichtenberger Music Prize from the Herfried Apel Foundation, the Musikforderpreis of Kulturfonds Baden and the "Prix d'espoir" from the European Foundation for Support of Culture.
Mischa Maisky has the distinction of being the only cellist in the world to have studied with both Mstislav Rostropovich and Gregor Piatigorsky. Rostropovich has lauded Mischa Maisky as "one of the most outstanding talents of the younger generation of cellists. His playing combines poetry and exquisite delicacy with great temperament and brilliant technique."
Prize-winner at numerous international violin competitions, such as the Wieniawski.pl, the Viotti and the Associazione Culturale "Maestro Rodolfo Lipizer" Onlus, acclaimed french violinist Nicolas Dautricourt studied with Philip Hirschhorn, Miriam Fried, Jean-Jacques Kantorow, Gerard Poulet and Jean Mouillere.
Nicolas Dautricourt plays a magnificent instrument by Antonio Stradivarius (Cremona, 1713), the "Chateau Fombrauge", on a generous loan from the Institut Culturel Bernard Magrez.
A prizewinner at the Viotti and the Chopin International Piano Competition, Mr. Gililov is a professor at the Universitat Mozarteum Salzburg and the Hochschule fur Musik und Tanz Koln, where he has instructed a long list of international award-winning pianists. In 2005, Pavel Gililov founded the International Telekom Beethoven Competition Bonn where he is currently the artistic director and jury president.
Awarded as the Revelation Lyric Artist in 2004, Lyric Artist of the Years 2007 and 2010 and Album of the Year 2009 at the French Les Victoires de la Musique Classique, Philippe Jaroussky's multiple German ECHO KLASSIK Awards in 2005, 2008, 2011, 2012 and 2015 makes him one of the most celebrated singers and musicians of our time.
Maestro Philippe Jaroussky is the founder and artistic director of the Academie Musicale Philippe Jaroussky and the Ensemble Artaserse, the Baroque orchestra he founded in 2002 after Vinci's Opera of the same title.
Stay attentive to this fantastic new edition of extraordinary masterclasses and performances from La Seine Musicale, exclusively filmed by DakApp!
Winner of the Internationaler Musikwettbewerb der ARD 2015, the Carl Nielsen International Competition 2014 and the Kobe International Flute Competition 2013, Mr. Jacot is regularly invited to perform with the Mahler Chamber Orchestra, Orchestra Mozart and the Munchener Kammerorchester.
Born in Geneva, Sebastian Jacot entered the Haute ecole de musique de Geneve at age fifteen, studying in the class of Professor Jacques Zoon and obtaining his Soloist Diploma with Distinction in 2010. Mr. Jacot is currently the 1st Principal Flute at the Gewandhausorchester in Leipzig and has previously held positions as Assistant Principal Flutist at the Hong Kong Philharmonic Orchestra, Principal Flutist at the Seiji Ozawa Matsumoto Festival-Saito Kinen in Japan and Solo Flutist of the Ensemble Contrechamps in Geneva, Switzerland.
Winner of the Internationaler Musikwettbewerb der ARD 2015, the Carl Nielsen International Competition 2014 and the Kobe International Flute Competition 2013, Mr. Jacot is regularly invited to perform with the Mahler Chamber Orchestra, Orchestra Mozart and the Munchener Kammerorchester.
Born in Geneva, Sebastian Jacot entered the Haute ecole de musique de Geneve at age fifteen, studying in the class of Professor Jacques Zoon and obtaining his Soloist Diploma with Distinction in 2010. Mr. Jacot is currently the 1st Principal Flute at the Gewandhausorchester in Leipzig and has previously held positions as Assistant Principal Flutist at the Hong Kong Philharmonic Orchestra, Principal Flutist at the Seiji Ozawa Matsumoto Festival-Saito Kinen in Japan and Solo Flutist of the Ensemble Contrechamps in Geneva, Switzerland.
Professor Sebastian Klinger praises the positive impact of new technologies in the learning and enjoyment of music today, and how a selective use of Internet can become a great tool for improvement.
Cello Professor at the Hochschule fur Musik, Theater und Medien Hannover and winner of the Deutscher Musikwettbewerb 2001, the Diapason d'Or ( J.S. BACH Cello Suites / OehmsClassics) and the European Rising Star Prize 2002 by the European Concert Hall Organization (ECHO), Sebastian Klinger served as the Solo cellist of the Bayerischer Rundfunk Orchestra for 11 seasons, being one of the youngest principals ever appointed in the history of the orchestra.
Born in New York to Korean parents, solo cellist Timothy Park studied at The Juilliard School with Jerome Carrington and Fred Sherry and at the Yale University with Aldo Parisot, later moving to Germany to obtain his Master Diploma and Konzertexam from the Musikhochschule Lubeck and the Hochschule fur Musik Hanns Eisler Berlin, where he was a pupil of David Geringas and also worked with Josef Feigelson, Boris Pergamenschikow and Daniel Barenboim.
As a soloist, Mr. Park has performed with ensembles such as the Chamber Orchestra of New York, Detroit Symphony Orchestra, Orquesta Sinfonica de Venezuela, Moscow Radio Symphony Orchestra, Berlin Symphony Orchestra, the Juilliard Orchestra and the Interlochen Center for the Arts Academy Orchestra. He is regularly invited to participate in the Lucerne Festival, Aspen Music Festival and School, Schleswig Holstein Musik Festival, NDR Mecklenburg-Vorpommern, Kronberg Academy, the Jerusalem Festival and the festival Pablo Casals in Prades.
An avid chamber musician, Timothy Park is the cellist of the Erlenbusch string quartet, keeping an artistic collaboration with the Staatskapelle Berlin and playing with musicians such as Elena Bashkirova, Levon Chilingirian, Alessio Bax, Vladimir Mendelssohn, Zakhar Bron, Frans Helmerson, Gary...
Principal Violist of the Berliner Philharmoniker for 20 years, Viola Professor at the Hochschule fur Musik in Freiburg and current leader of the violists at the Lucerne Festival Orchestra, Professor Christ is featured in several of our viola masterclasses, all of which you will find in our spectacular catalogue.
Praised for his exhilarating and sensitive interpretations, Mr. Christ was chosen by Herbert von Karajan to become one of the youngest principals in the history of the Berliner Philharmoniker. A prize winner at the Internationaler Musikwettbewerb der ARD and recipient of the Grand Prix du Disque 1992 by the Deutsche Grammophon, Maestro Wolfram Christ is one of the first artists who unconditionally supported DakApp from its beginnings.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
Series of masterclasses with the complete 42 Etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
Complete 42 Etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko. Composed in 1796, these ?tudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of caprices has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
A series of masterclasses with the complete 42 etudes ou caprices by Rodolphe Kreutzer (1766-1831) dissected by the international solo violinist Natalia Lomeiko.
Composed in 1796, these etudes were written to show the possibilities of the today universally adopted Tourte bow, staging the development of the modern bowing technique and strengthening each individual finger in the left hand. Since then, this set of capriches has become the core book in the study of the intermediate and advanced technique and is used by violin and viola players from all over the world.
Girl was written for the Yale New Music Workshop which took place in Connecticut in June-July 2017.
It is based on the Iranian folk melody Dokhtare Boyer Ahmadi , meaning the girl from the town of Boyer Ahmadi. In the central section of the piece this melody comes to the surface and is clearly outlined by the cello, later joined by violin.
All other parts of the piece also derive from this melody but in a much more fractured way. As a result, Girl is an exploration of folk melodies as collective memorialisation, considering how memories are warped, altered, fragmented and ultimately re-imagined across time and space. - https://www.soosanlolavar.com/girl/
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
Described as "a Renaissance man and a magnetic creative force", Dmitry Sitkovetsky proves the description correct in this master class. As a violinist, he shares his knowledge of all the technical demands of Mendelssohn's monumental and widely beloved Violin Concerto in E Minor . As a conductor, he knows how to convey to his student Ksenia Dubrovskaya that the violin, though it is the solo instrument here, is always engaged in a dialogue with the orchestra. As an acclaimed arranger (his transcription for string trio of Bach's Goldberg Variations is frequently performed around the world), Sitkovetsky has unique insight into the ways in which harmony defines many of the decisions that must be made when performing. Mendelssohn's concerto is a passionate work, loaded with lyricism and melody-but its full substance lies also in the layers that Sitkovetsky is able to peel away and examine.
Icelandic clarinet virtuoso Dimitri Ashkenazy works with student Salvador Navarro on one of Mozart's most beautiful compositions for clarinet, the Concerto in A Major , touching on the importance of articulation, presence, ornamentation, and dynamics. First performed in Prague in 1791, it was composed for and premiered by Mozart's friend and frequent collaborator Anton Stadler . The solo part commonly played today is an adaptation of the original for basset clarinet, an instrument that plays a third lower than the more common B-flat clarinet.
Masterclass by the Swiss virtuoso and Gewandhausorchester 1st Principal Flute Sebastian Jacot exploring the Mozart's Flute Concerto in G Major alongside the talented french flutist Chloe Dufossez.
The G Major Concerto was commissioned in 1777 by Ferdinand De Jean, an amateur German flutist and wealthy surgeon who worked for the VOC (Dutch East India Company) and who offered the generous sum of 200 florins in exchange for three flute concertos and four flute quartets.
Mozart, still a promising young composer, accepted the offer but, distracted by other projects, procrastinated and did not fully complete the terms of the agreement. He did, in fact, deliver a couple of Flute Quartets and two Flute Concertos, being the No. 1, KV 313 in G Major the only original concerto composition. The second one, finished by the deadline, is a flute transcription from his Oboe Concerto in C Major KV 314 . Consequently, De Jean paid only 96 florins to Mozart instead of the agreed full fee.
Former Principal Flute of the Los Angeles Philharmonic Jim Walker has dedicated himself to flute pedagogy and jazz since 1984. In this master class, he works with student flutists Hye Ryung Lim and Seung Jeon on the three movements of Mozart's Flute Concerto in D Major . A favorite concerto of the flute repertoire, the work was first composed in C Major for oboe, and later reworked as part of a commission for three flute concertos by Ferdinand Dejean, a surgeon with the Dutch East India Company (of which Mozart would complete only two!).
A leading conductor and violin professor at Salzburg's prestigious Mozarteum, Lavard Skou Larsen gives a master class on Mozart's exuberant Violin Concerto No. 3 with student Ignacio Rodriguez. Mozart referred to the work in his letters as the Concerto de Strassburg because of the popular tune called the "strasbourgeoise" that he used for the theme of the final movement.
Associate Principal of the Los Angeles Philharmonic, Jim Wilt is a musician and trumpet player of incredible practical experience and expertise who has established his music school Colburn as a dominant force in the trumpet community.
In this master class, he works with student Josh Rogan on Neruda's Trumpet Concerto in E-flat Major , one of the mainstays of the trumpet solo repertoire.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
A teacher in Munich and former solo double bassist of the Berliner Philharmoniker, Nabil Shehata works with student Iker Sanchez on orchestral excerpts for double bass from Beethoven's Symphonies Nos. 2 and 9 and Mozart's Symphony No. 40 . These challenging passages include some of the most recognizable themes from these symphonic masterpieces and are prepared by bassists the world over for auditions.
Saraste directs the LEAD! Foundation, which aims to the support the next generation of conductors and aspiring orchestra leaders through technical and musical training, plus mentorship and guidance in navigating the classical music industry. At the Haute Ecole de Musique de Lausanne, Saraste helps instrumentalists and conductors-in training refine their interpretation of three monuments of the symphonic repertoire: Beethoven's Fourth, Sibelius's Third , and Stravinsky's Symphony in C .
Saraste directs the LEAD! Foundation, which aims to the support the next generation of conductors and aspiring orchestra leaders through technical and musical training, plus mentorship and guidance in navigating the classical music industry. At the Haute Ecole de Musique de Lausanne, Saraste helps instrumentalists and conductors-in-training refine their interpretation of three monuments of the symphonic repertoire: Beethoven's Fourth, Sibelius's Third , and Stravinsky's Symphony in C .
Saraste directs the LEAD! Foundation, which aims to the support the next generation of conductors and aspiring orchestra leaders through technical and musical training, plus mentorship and guidance in navigating the classical music industry. At the Haute Ecole de Musique de Lausanne, Saraste helps instrumentalists and conductors-in training refine their interpretation of three monuments of the symphonic repertoire: Beethoven's Fourth, Sibelius's Third , and Stravinsky's Symphony in C .
Saraste directs the LEAD! Foundation, which aims to the support the next generation of conductors and aspiring orchestra leaders through technical and musical training, plus mentorship and guidance in navigating the classical music industry. At the Haute Ecole de Musique de Lausanne, Saraste helps instrumentalists and conductors-in-training refine their interpretation of three monuments of the symphonic repertoire: Beethoven's Fourth, Sibelius's Third , and Stravinsky's Symphony in C .
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, we brought you closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli, Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
Celebrated cellist Christian-Pierre La Marca gives a master class to Paul Heyman, one of the cellists of the first year (the Mozart class) of the Academie Musicale Philippe Jaroussky, which opened its doors in September 2017 at La Seine Musicale. Joined by Karine Selo at the piano, they work on the first movement of Prokofiev's Sonata for Cello and Piano .
Celebrated pianist David Kadouch gives a master class to Juliette Journaux, one of the pianists of the first year (the Mozart class) of the Academie Musicale Philippe Jaroussky, which opened its doors last September at La Seine Musicale. Together they work on Saint-Saens's Mazurka No. 3 .
In this master class, Barcelona horn professor and Mahler Chamber Orchestra soloist Josee Vicente Castelloo begins his work with student Alma Sarsola in demonstrating and trying out different warm-up exercises, which they then apply to Schumann's Adagio and Allegro in A-Flat Major, Op. 70 . Originally composed with the aim of giving amateur musicians more music to perform at home, the piece's technical challenges and artistic beauty have made it one of the most beloved works of the horn's solo repertoire.
Have you seen our Masterclass on Stamitz D Major Concerto with Wolfram Christ? One of the greatest orchestral musicians in history dissects this important piece and gives you the best advice for your next audition and recital. Watch this masterclass with Maite Abasolo and pay attention to the invaluable tips from Maestro Christ.
Oboist and conductor Lucas Macias Navarro and student Veronica Cruz turn their attention to one of the 20th century's greatest contributions to the repertoire of their instrument: Richard Strauss's Oboe Concerto in D Major . The concerto was one of Strauss's last compositions, inspired by the great American oboist John de Lancie's visit to his home in Germany when de Lancie was part of the American army in April 1945.
Accomplished violinist Genevieve Laurenceau gives a master class to Yaore Talibart, one of the violinists of the first year (the Mozart class) of the Academie Musicale Philippe Jaroussky, which opened its doors last September at La Seine Musicale. Joined by Theodore Lambert at the piano, they work on Meditation , the first movement of Tchaikovsky's Souvenir d'un lieu cher .
One of the greatest pedagogues on his instrument today, virtuoso violinist Boris Garlitsky works with student Dmitry Udovichenko on Tchaikovsky's Violin Concerto in D Major .
In this master class, Garlitsky and Udovichenko explore together the impact of the Russian violin school on the only violin concerto Tchaikovsky ever wrote. The incredible masterwork, composed in 1878 and premiered by its dedicatee Adolf Brodsky, is one of the most technically-challenging of the violin concerto repertoire.
One of the last students of the great harpist and composer Marcel Tournier , Elizabeth Fontan-Binoche is a living legend of her instrument. In this master class, she explores her former teacher's Sonatine for Harp, Op. 30 with harpist Louisic Dulbecco. Published in 1924, the work for solo harp is one of Tournier's many contributions to the repertoire of his instrument.
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, we brought you closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli , Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, we brought you closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli , Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, we brought you closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli , Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, we brought you closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli , Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
The celebrated countertenor Philippe Jaroussky gives a voice master class to students of the Mozart class, the first year of the Academie Musicale Philippe Jaroussky, which opened its doors in 2017 at La Seine Musicale and has continued drawing young talents together every year since.
2018 marked the 25th anniversary of the Verbier Festival, an exciting milestone for Verbier's artists and audiences alike! For the first time, DakApp brought the audience closer to the musicians than ever before with ten master classes led by incredible artists, including Barbara Frittoli, Thomas Quasthoff, the Quatuor Ebene, Richard Goode and others.
